teylaminh: (Edward - cookie heart)
I am at least a week overdue in writing this post, thanks to self-evident work!stress sapping my energy, as a result of which I spent the first two days of the Easter weekend with a migraine, as well as Monday (thankfully it eased off enough on Sunday to enable me to cook our roast duck dinner, and on Monday I did at least have a bit more energy even if my head was hurting). It has latterly transpired, as I probably should have guessed, that Shark Week was imminent. The symptoms are so much more obvious in retrospect. :P

I imagine that also goes a long way to explaining why I was so angry about The Email last week, though I have since re-read it a couple of times and I think I'm still well within my rights to be pissed off about it - and indeed I have discussed it with other colleagues in the meantime and everyone is pretty much of the same view that it's unfair. I spent some time yesterday morning formulating a response which I will hopefully whittle down to smaller comments for my supervision, whenever that will be, and if my TL wants it in writing at least it'll be in a more digestible / less ranty format.

ANYWAY, to the point of this post!

On 11th April Paul and I went to see a National Theatre livestream of All About Eve, starring Lily James as the eponymous Eve and none other than Gillian Anderson as the iconic Margo Channing. I knew about the play itself (in London) because I follow Gillian Anderson on Twitter, and tickets for the actual play were horrendously overpriced so I was lamenting never being able to see it, and then about two days later I learned there was going to be a livestream. Subsequently, both [personal profile] cloudsinvenice and I saw it at the same time, albeit in very separate cinemas and a sea apart. :)

I had a lot of Thoughts about it which I simply didn't get chance to properly get down on paper (or screen), and then on Tuesday this week I learned that they were showing "encore" viewings of the livestream recording, with my most local one taking place the day after! So I self-indulgently treated myself to a second showing of it (on my own because Paul decided two viewings in three weeks to be overkill), because what even is the point of earning money and having a bit left over if you can't spend it on the occasional bit of fangirling? :P

I'm really glad I did go again because it's helped to jog my memory about some of what I wanted to say, and reminded me how amazing it actually was.

I will cut what I want to say because, obviously, it's going to be long. I will attempt to put this into some kind of chronological / sensible order but my short-term memory is perpetually shoddy these days. :P (Also, thanks to the most recent episode of Game of Thrones, I am in danger of falling into a Jaime/Brienne shaped black hole and would rather get this out of my brain first.)

A Cautionary Tale About the Dangers of Fangirls )

I'm sure I've probably missed a lot out of this write-up even now, and if I think of anything else in the interim which warrants sharing, I will do another post. I think this about sums it up for now, though. When I eventually get around to seeing the film, I will doubtless want to draw up some comparisons. (Yes, I have tagged this with my Sunset fandom tag but only so I can find it again later down the line. I make no apologies. :P)

Anyway, now that this is finally out of my brain, I can finish the unprecedented Jaime/Brienne fic which fell out of my brain yesterday and get it up on AO3 before the third episode on Sunday, which I am dreading beyond measure. I really don't want either of them to die until their full relationship arc is complete, but I don't trust any of the writers not to break my heart. :(
teylaminh: (Default)
So, on Easter Sunday [personal profile] commoncomitatus and I finally got around to watching the bootleg footage of Sunset Boulevard on Broadway from last year - essentially the same version as we saw in London, starring the same three leads (Michael Xavier as Joe, Glenn Close as Norma and Siobhan Dillon as Betty) and pretty much identical staging, but with added Broadway spangles. I really have a lot I want to say about the production, but before I can do that I need to do the write-ups of our two other YIM flails, namely the Michael Ball/Petula Clark Radio 2 concert from 2004, and the Alan Campbell/Betty Buckley Broadway bootleg from 1994.

These write-ups are essentially a way to firm up some of the Thoughts and Theories we came up with in the process of watching/listening, if only so they're recorded for posterity and the furtherance of my headcanons. So, be warned, I will be quoting our doubtless incoherent flail at various points. :P

I intended this entry to be a twofer because I thought I'd have less to say about the Radio 2 version, but, er, well... you can probably predict how that went. I'll try and get the 1994 Broadway write-up done this week as well, hopefully tomorrow.

Incidentally, I have seven X-Files season 11 recaps to do as well, but those will have to wait until I can do a rewatch. I livetweeted "The Lost Art of Forehead Sweat" at the time, but Channel 5's doubling-up of episodes and terrible scheduling has resulted in me forgetting basically everything I would have put into a write-up.

Flail the First: 2004 Radio 2 Concert )

So, there we go. I didn't expect this to be quite so long, and on that basis I imagine the 1994 bootleg recap will be even bloody longer, because there are Specific Things in there that I desperately need to flail about before I can flail further about the 2017 bootleg. And honestly, the only feasible way I can see of recapping that is to embed the video and flail at it in line with timestamps. :P

One of these days I might run out of headcanon. But I doubt it...
teylaminh: (Farscape - Stark - hidden talents)
Paul reminded me a couple of days after the event that I'd omitted something from my Sunset UK Tour write-up(s), which in turn also jogged my memory for another tiny thing I'd forgotten.

Addendum )

In almost-related news, I think I'm almost inspired to make a start on my epistolary AU story after re-reading the outline yesterday. I've also made a start on my other, soulmate AU, at least on paper, but it needs a lot of tidying up. I've been pottering about with various bits and pieces lately and should really start typing some of them up...

Nothing else to report, except that I didn't get the job I went for. Got feedback this morning and it was very close, points-wise, between everyone - all the things I apparently should have said at interview I literally remembered about two hours after the event. I was struggling with a really bad sore throat and fighting off an inevitable cold on the day, so my brain wasn't functioning as highly as it should have been.

They advised me at the interview (and also today) that there were supposed to be three roles, but HR would only agree two initially. They have now agreed to recruit to the third post so it should reappear at some point, and they urged me to reapply if it does. I'm currently debating whether or not I will, but I'll see how I feel if/when it rolls around, and in any case start job-hunting afresh in January when all the Christmas stress is out of the way...

TBF, I kind of suspected I hadn't got it because I didn't get a phonecall about it (I was off sick Thursday/Friday with the aforesaid cold and subsequent migraine), so I didn't find out until I checked my emails this morning. Regardless, getting to interview achieved what I set out to do, which was to prove to myself that I do, in fact, have transferable skills.
teylaminh: (Default)
Okay, dinner is done so I'll tackle Part Two. Without further ado... )

So, that was that.

According to the programme, the film version is pencilled in for next year - but honestly, I'll believe that when I see it, since that rumour has been churning the mill for about ten years now. :P In the meantime, I will continue to hold out hope for a massive-scale 25th anniversary production, and a cinematic release that's as beautifully shot/edited as the recent Miss Saigon production was. That would make my heart very happy indeed.

(In other, unrelated news, I have an interview for that job on Wednesday. Eek!)

Over and out.
teylaminh: (Default)
Right, having spent the past I-dont-even-want-to-know how many minutes trying to get Semagic to work with LJ and DW to make cross-posting easier, here's a write-up from Friday night, when Paul and I went to see the new UK tour production of Sunset Boulevard, starring Ria Jones and Danny Mac. I'm hoping to do this in one go, but it may well end up being two separate entries (one for each Act, as last time) because it is, of course, an Eternal Onion and some of the stuff I wanted to mention will probably end up being quite wordy once I start properly thinking about it...

Anyway, for the uninitiated, Ria Jones was the person who originated the character of Norma (as she appears in the musical) in the original production of the show back in about 1992 at the Syndmonton Festival. She was also the understudy for Glenn Close in the London production last year, which is probably all you really need to know - except that from her programme shot she looks like the Norma in my head, though oddly not so much when actually in costume!

Danny Mac was a runner up on Strictly Come Dancing and other than that I know nothing about him, but he was appropriately pretty so that'll do for me. :P

Such being said, the audience seemed to comprise mostly Strictly fans and Ria Jones fanboys and a fair few Sunset fangirls - which is a vast improvement on when we saw it in London and the audience was mostly people who were only there to see Glenn Close in her West End debut with no concept of the actual show. (The same people who subsequently threw a hissy fit when Glenn Close was off sick and Ria Jones took her place, walking out before the show even started - but fie on them because they have no idea what they were missing.)

I very much suspect the reason for the sudden UK tour, so close off the back of the London show, is because (a) it was so popular (as it always is whenever it rolls back around!) and also (b) next year will be the show's 25th anniversary, so I'm hoping the tour is a run-up to a great big London show which will (fingers crossed!) be filmed and/or broadcast live and thus released on DVD. Because HOW AWESOME WOULD THAT BE? I'd love to see Ruthie Henshall as Norma, actually...

Right, that was a big of a digression, so here's the actual write-up. I will tackle this in the same way as the last one, scene by scene. I have made some rough (mostly illegible) notes to work from, scribbled down when I got home Friday night, so hopefully I won't forget anything!

Sunset Boulevard UK Tour 2017 )

Right, it took me far too long to get around to this and (of course) it's taking me longer than anticipated, so I will post this first part now and tackle the rest after dinner - or possibly tomorrow.

Watch this space!
teylaminh: (Random - ficcing)
Arising out of a conversation with [personal profile] commoncomitatus on Saturday on AIM (which, as an aside, we ended up using due to having issues with YIM - my old contacts list was a gut-punch of nostalgia!), I thought it pertinent to update my list of works in progress / to-be-written stories, as I'm pretty sure it's gotten bigger since the last time I did one of these posts...

These are in no particular order but I will at least attempt to cluster them together under separate fandoms, and I'll do the fandoms alphabetically. Pretty sure at this juncture I don't actually have to denote what the pairings will be. :P

Hopefully I haven't missed anything.

Current Works in Progress )

I was also going to list the amount of things which are finished and pending sharing online (FFN and/or AO3) but frankly this is long enough already. :P

My brain is a massive filing cabinet. I'm beginning to suspect this is why my short-term memory is so shoddy...
teylaminh: (Random - Garbo)
I knew I'd forget something.

During "As If We Never Said Goodbye" - or just before it, at least - there was another nod to the original movie whereby Norma pushed an overhead microphone out of her sight. I can't remember them doing that in the musical before.

You can probably expect more of these as I randomly remember elements of the show which got lost in my inane ramblings. :P
teylaminh: (Default)
Right, I will approach this in much the same manner as the previous one by going through the score song by song.

Before that, though, there's something I forgot to mention in the first post - it's more of a general observation anyway so it doesn't really fit any specific scene...

Basically, the whole show was imbued with additional irony by the sheer fact that it was Glenn Close starring as Norma Desmond - not least because she last played the role on Broadway 20 years ago. All of the references to Norma's "return" to Hollywood and her status as a big name at the time were doubly relevant. In particular, this exchange:-

JOE: Norma, they don't want you in every scene.
NORMA: Of course they do - what else would they have come for?

Given that (I assume) quite a lot of the audience were only there to see Glenn Close, or specifically to see her in this show, that part was especially ironic, and there was definitely a murmur of amused acknowledgement from the audience.

Anyway, without further ado, here is the rest of the write-up - hopefully this one will not take me seven hours like the last one did...

Act Two )


Well, this one did not take quite as long as the last one, but I still have no idea where any of it came from.

My next task is to start a complete overhaul of "Tango Up On Sunset" to try and include all of these new feels and theories. I am looking forward to that, in a vaguely masochistic kind of way...
teylaminh: (Default)
Okay, let's get this show on the road.

I am going to break this down scene by scene as per the title tracks on the libretto, because otherwise I am liable to just ramble in a nonsensical fashion until my head explodes, and am also very likely to forget something important. I am going to reference my headcanon(s) quite a lot also, so I'm going to include explanations of those at relevant points - I should point out these headcanons have mostly arisen out of that period in 2002-2003 where I was writing a lot of fanfiction in the wake of "Tango Up On Sunset", elements of which have become so ingrained into my understanding of the show that I often forget that other people are not privy to them. :)

Anyway, now that I've dragged myself away from Tumblr, without further ado...

Act 1 )


Okay, this took far longer than expected, and I still have the whole second Act to get through. Hopefully by the time I get to that, I won't forget all the other things I wanted to say.

Watch this space!
teylaminh: (Default)
Right. This is mostly a placeholder entry, or a precursor, I suppose, to a much longer entry (or more likely entries) because I won't have time to get down everything I want to before Paul and I go out for a meal later. (Our table is booked at 9.00pm and it's just gone 5.00 as I type this; yes, there is a lot to say!)

Anyway, to explain: on Thursday night, Paul, [personal profile] commoncomitatus and I went to see Sunset Boulevard at the London Coliseum. This would be an exciting enough event, but what made this doubly and especially special was the fact that Glenn Close was reprising her role as Norma Desmond in her West End debut, for a very limited five-week run. The only reason I knew this was happening at all was thanks to Eni tweeting it at me about a week before the tickets went on sale in September, which happened to be the day after payday.

When I heard about it, I was in simultaneous states of "We will never ever be able to see this, LIFE IS WOE" and "This is non-negotiable and we are seeing this no matter the cost". Thankfully the latter won out, because the seats weren't as pricey as expected. We were Row K in the dress circle, which was a little further back than I'm used to, but stalls were far too expensive. To be honest, barring being up in the Gods, the location of the seats wasn't particularly important given that this was quite possibly one of the biggest London theatre experiences in any of our lifetimes. It's up there on a level with seeing Michael Crawford in The Woman in White all those years ago, and indeed seeing the Actual Cast Who Are On The Soundtrack thanks to getting seats so early into the run.

So, Paul and I bought Eni a ticket for her birthday (in February), as well as it being my birthday present, because if there's ever a reason for someone to come back to the UK, it's to see Glenn Close as Norma Desmond in the West End, right? Exactly.

Needless to say, it was EPIC, so my impending write-up will be ridiculous - as they always are, but particularly so this time. Throughout the entire show I was having to make little mental notes - "I'm going to remember that, it's important!" - so they didn't fall out of my head, and honestly I think the only way I'm going to be able to approach said write-up is to literally break it down scene by scene, so I don't forget anything. Just, so many little nuances and differences and references, it was almost impossible to keep up!

Before that, though, I need to mention something else which is perhaps not quite so monumentally exciting but equally as important, which is this:

Eni and I have not met face-to-face / IRL in just over three years - she moved to Sweden shortly after I started in my CP job. Before that, we only ever really met IRL every few months or so around the time of our respective birthdays, and generally communicate through email / Twitter, occasional LJ comment tennises and even rarer IM sessions. On Thursday we were basically only in the same room for about three hours, if that, but the three-year gap did not even seem like ten minutes. (Though possibly the Underground shenanigans and rush to find the theatre meant that we kind of met in London and immediately started navigating rather than engaging in pleasantries! And TBF the majority of our email conversations begin in the manner of capslock'd flailing anyway.)

In particular, the interval of the show stands out for me because we spent the entire thing discussing headcanons and interpreting what we'd just watched, and basically just having a massive fangirl geek-out over Sunset. I feel very, very sorry for anyone sitting in our vicinity at that point, as they must have thought we were completely insane - particularly anyone who came along purely to see Glenn Close without any prior knowledge of the show / movie.

I also find it hilarious that within those said three hours of being in the same room, we managed to create a meme, namely #JewishMotherNorma. This came out of a discussion about the potential movie version of the musical, which seems to have gone quiet again (thank goodness) and an old rumour that Barbra Streisand was in the running to play Norma at one point - and whilst Barbra Streisand is awesome, neither of us can quite see her playing Norma, and if it were to happen then Norma would be a Jewish Mother. We then immediately came up with two examples of #JewishMotherNorma, namely, "Are you married? A nice boy like you should be married...", and making sure Joe is eating enough even though she's starving herself to prepare for Salome.

There will be more coming, believe me. :P

(This meme is a companion to our #SunsetBlvdExhibition meme, which was a series of terrible, terrible puns that arose out of my dreaming about a Sunset Boulevard exhibition, where we took SB quotes and made them vaguely relevant to exhibition-type words. When I say terrible, I mean terrible. "You know what you can do with your vi-queue-na" levels of terrible. Basically, we are awful people who should not be allowed near anything, or each other.)

The crux of this is that it really demonstrates the longevity of internet friendships and throws mud in the face of all those people who think they're not valid or not real or not "proper" friendships. It's always been the case that when I meet online friends IRL, even for the first time, it's like we've known each other for years - because ironcally, we probably have.

So yeah. I wanted to mention that in case it got lost in my latter write-ups, which I will now make a start on. Hoping to get at least one up on Sunday, if not both, as I think I may have to do one for each Act, unless it devolves into Yet Another Shipper Analysis and churns out a third. :P

Watch this space!

PS: In honour of the occasion I have switched back to the glorious SB mood theme that Eni made me. :)
teylaminh: (SB - Betty - Oh you!)
We've made a good head-start this year on actually Seeing Films We Want To See... and there are two new Tim Burtons due this year so hopefully it will continue (Dark Shadows in May and the stop-motion animated (!) remake of Frankenweenie in October).

We went to see The Artist at the Electric on Saturday. Just as well we booked in advance as all three showings were sold out. It was horrendously expensive, though, as we decided to book a sofa and it came to just over £25. I'm sure those sofas were £10 originally. You should at least get a free drink included! Anyway, it did seem the ideal setting for such a film, and the audience actually wanted to be there - I anticipate if it's on beyond a week anywhere else it will be mostly full of ignorant kids who actually aren't interested in the film, or haven't realised what it is.

Anyway. Thoughts - with spoilers, obviously. )

This weekend has gone much too quickly. Before the film on Saturday Paul was at his business course again and I tidied the bedroom a bit (dusting / hovering) before going to meet him at the cinema, then we went to Wagamama for tea. Sunday was very lazy indeed because we were both shattered.

Back to the gym today, so let’s hope it doesn’t kill me as I haven’t been since October. :(
teylaminh: (SB - Norma - broken)
In the course of - once again - fandom rediscovery, I've been re-reading old fanfic over the past few days. Initially this was just for Sunset Boulevard because that was the fandom in question, then Phantom and, more recently, Voyager because [livejournal.com profile] doec reminded me of a specific story/script and I randomly decided to read that as well - and subsequently reminded myself that one of these days I was going to turn them all into prose. ;) (I wrote script-format fic for Voyager for years, at least until I started writing 'properly' for Farscape and other fandoms in prose...)

Anyway, I digress. Rambling 'neath the cut - this entry ended up a lot longer than I intended... )

One day I will have a moment of blinding clarity where I pinpoint the reason for this fandom; either that or it will remain forever inexplicable. Until then, I shall continue to engage in Epic Character Study Discussions with like-minded friends and enjoy the rollercoaster while it lasts...

Eni - if I don't respond to your latest email today then it will have to wait until I've got the internet, by which point I will have had More Thoughts upon Thoughts, but I promise it'll be the first thing I do. ;)

F-List - I'm on leave for two weeks as of tomorrow and also possibly going to Paris if we can get cheap flights/hotel last minute, so I shall be appropriately silent until Sky come to install our intarwebs. Don't do anything interesting while I'm gone, 'kay?
teylaminh: (MH - Matthew - WTF?!)
There's finally a Sunset Boulevard category on FFN.

I AM TOO TERRIFIED TO OPEN THAT LINK.

(And yet I am also SO TEMPTED to move my poor lost little fic into the correct category. GAH, THE DUPLICITY OF IT ALL.)
teylaminh: (SB - Norma - broken)
Okaaaaay. Here's another I did at work. Today's is going to be loooooooong and wordy and epic. Consider yourself warned.

Day 11 )

TL;DR: BECAUSE GUH.

Thankfully it's been quiet today so I could actually work on this. Otherwise I would probably have been up all night trying to get it done.
teylaminh: (SB - Norma - broken)
Seeing as I was sitting here at the PC, bored, but not yet quite ready for bed, I figured I might as well put Eni's birthday present to good use finally. :)

So, I now have a lovely Sunset Boulevard mood theme and Norma Desmond layout. (I was going to make it dark-text-on-white but when I previewed it, it didn't look as nice, so I switched it back to Eni's choice. I'll just have to train my eyes back to white-on-dark again. :P) Obviously all the pics are from the film, and it's times like this I wish there were more stage / tour production photographs available. I did scan the tour brochure but there's not much in there to go on. ;)

This reminds me, I never did finish my multi-fandom mood theme. One of these days I might get around to it, though obviously I've added some fandoms since it started. :D My old "words" theme did serve me well for a time and I was very proud of it, but a change, as they say, is as good as a rest.

Huzzah!

Edit, seconds later: Hee, that expression is priceless. *cough* Sorry, you can expect several more edits like this when I am randomly amused by the screencap choice. :D
teylaminh: (SB - Norma - broken)
Or, well, plot hairball at least.

From [livejournal.com profile] all_unwritten, a prompt community:

In my mind I keep you frozen like a seventeen year old.

This is my Sunset fic's origins in a nutshell. I have no clue which fandom [livejournal.com profile] commoncomitatus is using for My Thing in October, but if she's running dry on ideas... *cough*

*cries*

Jun. 28th, 2009 08:50 pm
teylaminh: (SB - Norma - broken)
Okay, so I've just spent about an HOUR trying to find out ticket availability for Sunset for August, for my mum's birthday, to be thwarted at every turn by broken links. I find about six million articles about the extended run, all of which sound incredibly promising.

And then I find this.

Despite announcing an extended run until September, they've actually closed it in May as initally planned.

I... just... there are no words. None.

God damn you, universe.

Just when I finally get my fandom mojo back after who knows how many months, this happens. It's not fair.

I really wanted my mum to see this production, I wanted to see it again a couple more times, and all that aside, it was a sell-out run. I hope to God nobody tried to book any tickets as soon as the extension was announced; and if so, I hope the theatre / ticket company have had the good grace to give out refunds.

There are days when I wish I'd never discovered Sunset, and this is one of those days. At least if I was ignorant of its existence or its briliance, this wouldn't sting quite so badly. I'm so angry about this. Angry and despondent and just... completely numb. I'm so fed up of my fandoms being crushed like this. According to one random link I spied in my travels this afternoon, it seems the new movie version is planned for next year, and after Phantom... I can't take any more disappointment. I really wish I didn't have this fandom-orientated brain, or care so passionately about relatively unimportant things. I hate especially that I should be made to feel like that by something so trivial.

I'm going to live under a rock. See you in about 30 years.
teylaminh: (MH - Matthew - WTF?!)
One of the office printer is making a noise that sounds suspiciously like "om nom nom" whenever it feeds paper through. It keeps making me snigger but I can't explain why, because I don't think anyone would get it...

This morning Paul's 6.30 alarm woke me from a potentially interesting (if surreal) Sunset Boulevard-related dream. It differed somewhat from my usual fare of SB dreams, but obviously only came about because I re-read the prologue and first chapter of the SB/BaT crossover last night. Clearly, it doesn't take much for it to re-invade my brain. I'll post it under a cut out of sheer laziness because I can't be bothered to do a separate entry...

Bizarre SB dream )

Er, yes. *pats brain* Whatever, dear.

The other thing I want to talk about is this...

[livejournal.com profile] joetimewaster posted a link recently to the marvellous Sims 3 story of Kev and Alice (stick it in Google - I believe it's on Wordpress somewhere), which is absolutely frelling wonderful. As a result of this, I have come to the following two conclusions:-

  1. I have thus far avoided being sucked into the brain-destroying, life-eating land of the Sims (save for several hours wasted on Sim City 2000) purely through self- and sanity-preservation. I know my tendencies. I have an addictive personality when it comes to stuff like this. However, that being said, I must have Sims 3. Alas, at present I have neither sufficient RAM nor enough hours in my life, so it'll have to wait until one or the other becomes available. ;)

  2. This is quite possibly the future of fanfic. I know in the past that people have created character simsets out of fun, but seeing as how Sims 3 seems to be almost akin to artificial intelligence in the way the characters develop, the possibilities are endless! Plus it would be kind of fun to create your favourite characters and see how alike you can get them to 'real life' with personality traits, and then see if they interact in the same manner. Fascinating. :D


In other news, I have been sucked well and truly into Big Brother this year - how adorable was Sree last night? Rodriguo FTW! Or possibly Lisa. Or Angel. And I think Freddie/Halfwit/Anarchist Tory is going on Friday by the looks of things. And GAH Marcus is annoying - for which I apologise profusely, and I got my hair cut last night, but nothing much else. :)

Yt Ys Donne

May. 1st, 2009 10:03 am
teylaminh: (MH - tekiclutch - spirit bunnies)
Job application thingy signed, sealed and delivered this morning, after half-copying an old application form blurb last night. Now I can stop stressing for a bit.

I had this really, really strange dream this morning... Bizarre... )

Intriguing.

My foot has not been happy the past couple of days. I think my work shoes are to blame; they are too small in terms of the actual shoe-size, but simultaneously too wide for my narrow feet. They also have a 1.5" wedge heel on them, and I think all of these factors have been responsible for my foot hurting yesterday and Tuesday (but not so much Wednesday, when I was wearing a skirt and hence different shoes). I've bought some slightly more sensible work shoes from Deichman, leather ones which will hopefully be waterproof and which fit much better. £25 for leather shoes really isn't bad, considering I'll doubtless wear them to death and they'll last probably four times longer than the faux-leather cheap equivalents from Priceless... Yet more money I ddin't really intend to spend, though.

The physiotherapist reckoned it wasn't broken because it had stopped hurting and the swelling had gone down, but I personally reckon it was / is. (Worrying that four entirely different doctors / specialists told me four entirely different things...) If I catch or jar it at the wrong angle it's still quite painful, and the only way I can describe it is as though the bones need to be 'cricked'. It's weird.

Still, I'm probably going to start going swimming again, as after a while last time my foot eventually stopped cramping, and exercise can only be of the good.

Aaand finally, I'm going to get my hair cut tonight. Poll answers were unforthcoming (50% in either direction) but I shall keep it short for the summer (now, watch it rain...) and start growing it after Christmas.

Another quiet day so I might work on some writing...
teylaminh: (SB - Betty - Oh you!)
I happened to tune into Paul O'Grady this afternoon because there was literally nothing else on, only to discover that Kathyn Evans and the cast of Sunset Boulevard (well, some of them - no Dave Willets or Ben Goddard) would be performing "With One Look" at the end of the show.

So, first of all I texted Eni to tell her.

Then I taped it. Of course. :D
Quality isn't perfect because our aerial is rubbish, but still. Eeeee!

Brief conversation afterwards between Paul and Kathryn reveals that the London run has been extended to SEPTEMBER. Which, OMGYAY!

This means I can take my mum for her birthday (but alas not myself for mine, booo) in August and just... there more time to save up to see it again. The April run was due to end on the 18th, when [livejournal.com profile] yoshi and I are meant to be seeing Seven Brides for Seven Brothers at Wolverhampton, except his brother hasn't actually booked the tickets yet - we even agreed last night that if he hasn't done so within a week we'd just damn well go to London for the final night of SB anyway, because FINAL NIGHT and yeah. So now we don't have to.

I'm so so so pleased! An extended run means that audience reactions are positive and gleaming - Kathryn even mentioned that they've pretty much had a standing ovation every single night - and if that's the case then perhaps a second UK tour isn't such a distant possibility as I thought. *crosses absolutely everything*

This fandom makes me happy. It has, in the past, caused its fair share of angst, but dear GOD. I'll take the angst with a pinch of salt if it can continue to make me this cheerful. :D

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